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Atomos Ninja Inferno

€1199.99

Atomos Ninja Inferno View Large Image
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The Ninja Inferno unlocks the professional capability of 4Kp60 10-bit cameras, bypassing the internal recording limitations and taking full advantage of the sensor by recording to the camera's maximum color accuracy, color resolution and dynamic range. Monitor and Record HDR or Rec709 up to 4:2:2 10-bit as Log high bitrate Apple ProRes or Avid DNxHR.

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LATEST CONNECTIVITY IN A RUGGED DESIGN

Power, Video & Audio that won't let you down

The rugged case with built-in armor houses an arsenal of professional connectivity including full size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback or play-out to a view finder or other monitors, a hot swappable dual battery system for continuous power backed up with DC mains connectivity, auto HDMI start/stop recording trigger from selected Canon, Sony, Panasonic and Nikon cameras and even conversion of interlace video from your camera to progressive with built-in 3:2 and 2:2 pulldown.

RECORD THE BEST IMAGE POSSIBLE TODAY, ASSASINATE MPEG

4K60p 10-bit Pro-Res & DNxHR

Recording 4K 60p within the camera might seem enough but recording with the wrong codec restricts flexibility in post and even risks having your footage technically rejected. Ninja Inferno records direct from the sensor as full individual frames just like film to 4K 60p Apple Pro-Res or Avid DNxHR with 10-bit color information and precise yet efficient 4:2:2 color encoding.

XLR FOR YOUR DSLR

Professional Audio Monitor & Recorder

Monitor and record up to 8ch of embedded HDMI 2.0 24bit digital audio. Don't be restricted by the limited audio on most HDMI cameras, truly upgrade to professional levels. We've added an optional 48V stereo XLR breakout cable so you can connect and power external microphones for balanced analogue audio. Audio control is simple with dedicated meters and menus to select channels for recording/monitoring and adjustments for frame delay and gain.

THE ULTIMATE MONITOR. RECORDING FOR FREE.

10bit color, 10+ stops dynamic range, 1920 x 1200 resolution

We have created the ultimate monitor through end-to-end custom engineering of all components. It starts with a 1920x1200 resolution LCD panel, we add 10-bit processing in highlights and equivalent 12-bit in blacks. This is achieved through the AtomHDR engine honed from Log algorithms of every camera maker to give the ultimate brightness and color representation. Finally the custom Atomos-built backlight with the highest quality precision LEDs means the 1500nits can be utilized for High Bright Rec709 or HDR at 10+ stops.

HDR MADE SIMPLE, INCLUDED FOR FREE

Vibrant, Natural images for maximum creativity

As a creative professional you must always be ahead of the curve - today that means HDR at 4Kp60. Ninja Inferno delivers the simplest, most cost effective and technically superior HDR workflow. Go HDR today by setting your camera to Log, enabling the powerful AtomHDR engine to expose vibrant natural HDR video & then grade and edit with confidence on any Mac or PC using the Ninja Inferno as your portable grading monitor.

HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING

1500nit bright, daylight viewable monitor

The 7" 1920 x 1200 monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 1500nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director’s monitors, delivering a crisp 4K image without the bulk and viewing angle restrictions of a sun hood.

TRUST WHAT YOU SEE

Calibrate for accurate color, Scopes for accurate exposure and focus

All monitors drift in color over time, which is why all high end monitors have calibration. We've partnered with calibration leader X-Rite to allow their i1DisplayPro to calibrate the Ninja Inferno.

With peace of mind on the color front, simply tap the screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

PLAYBACK REVIEW WITH CLIENTS & CREW

Onboard playback and play-out to larger HDR or Rec709 monitors

By combining a recorder and monitor, directors and clients can review shots away from the camera complete with playback control, XML tagging for favorite collation, play list generation and even play out to larger SDR or new & readily available HDR TV's in PQ or HLG. We do all the engineering for you in AtomOS, converting Log to PQ or HLG seamlessly completing your camera to TV pipeline.

CHOOSE THE SSD TO SUIT YOUR WORKFLOW

Media solutions that are affordable, time saving and convenient

The Master Caddy system is our secret weapon for recording media flexibility. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times, G-Technology have a custom Atomos caddy that integrates directly into their EV series of Raid and desktop solutions and the Angelbird 4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy for high frame rate and CDNG recording.

Weight  
Without batteries & media 630g / 22.2oz
With batteries & media 1074g / 37.9oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power  
Operating power 10 - 33W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
DC In 1 x DC in (6.2 - 16.8V)
Continuous power
Patent pending
Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously
Touchscreen  
Size 7.1
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
HDR  
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10 @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video input/loop out  
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video output (play out)  
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported loop out formats  
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
Supported Codecs & frame rates (record & playback)  
Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper)

Refer camera compatibility list; atomos.com/cameras
ProRes (HQ, 422, LT) DNxHR (HQX,HQ,SQ,LB)

4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i
720p; 50/60p
Onboard processing  
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscaling Yes - Loop-out and playback
Audio in/out (48kHz PCM audio)  
HDMI 2 or 8ch 24-bit, camera dependent
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote start/stop  
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
Other LANC control - Slave
Playback  
Playlist / Genlock / LTC Yes / No / No
CDNG (Recorded content) N/A
ProRes (Recorded content) All recorded files can playback. Playback in slow motion > 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion > 100fps
Recording  
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5 SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit
atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5 SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Ninja Inferno unit, Master Caddy II x 1,
12V-3A AC power supply
Optional extras 1 x power supply, HPRC case, USB dock, control cable,
Dtap cable, Master Caddy x 4, Power supply, Sun hood

1 x power supply

X-Rite i1DisplayPro calibration

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