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Sony PXW-FS7

€8799.99

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The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimized the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries—and the optimum tool for magazine shows, reality TV, unscripted TV and more.

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Handheld.Long form. Just right.

Sony engineers were on a mission. To provide a sculpted, handheld design that remains comfortable even over the course of long shoots. To support hour after hour of recording—without changing memory cards. To provide the latest in resolution, exposure latitude, and colour reproduction. And to deliver it all in one affordable, practical package. With the PXW-FS7, that mission is a success.

4K Super 35 Exmor® sensor

When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers "bokeh," the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens. With the FS7 sensor, size is just the beginning.

High Frame Rates up to 180 fps

From freestyle skiing to water sprays to pyrotechnics, High Frame Rates underscore the beauty and drama of everyday motion. That’s why the FS7 provides continuous recording at Full HD at frame rates of up to 180 fps. When you play back at 23.98p, you’ll enjoy extraordinary Super Slow Motion of up to 7.5x. Compared to burst mode, the continuous recording of the FS7 reduces mistimed shots and extra takes. The camera also provides Slow & Quick motion from 1 fps to 180 fps, in 1 fps increments. This enables time lapse effects to make the clouds race by or flowers bloom before your eyes. And for even higher frame rates, you can attach the XDCA-FS7 extension unit and connect an outboard recorder, both sold separately, for 2K RAW recording at up to 240 fps. This creates 10x Super Slow Motion when played at 23.98p.

RAW recording, Apple ProRes 422 and multi-cam with Sony’s extension unit.

To keep the PXW-FS7 small, light and easily hand-holdable, Sony engineers reserved some special functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds powerful capabilities:
External RAW recording. To preserve the maximum in colour, contrast and resolution, the XDCA-FS7 enables RAW recording when connected to outboard recorders, sold separately. The XDCA-FS7 supports the vivid colour of 12-bit linear RAW at either 4K or 2K resolution. Use a single BNC cable to connect the XDCA-FS7 to Sony’s HXR-IFR5 interface unit and AXS-R5 recorder, both sold separately. The interface also allows the use of compatible third-party external recorders, such as the ATOMOS Shogun and the Convergent Design® Odyssey 7Q and theequipped with the Sony FS RAW option. Even when you record outboard RAW, you can still record time code-synchronized Full HD on-board, a convenient proxy for offline editing.

Convenient, telescoping arm

Another key to handheld comfort is the telescoping arm that holds the smart grip. Adjust the arm length by simply turning a knob. Another knob at the joint adjusts angle. So you can instantly adapt the arm to suit your physique and your shooting position.

Superbly rugged

Sony designed the PXW-FS7 to stand up to the rigors of real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray.

Multi-Interface (MI) Shoe

The FS7 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.

Support for 4-channel Audio Input and Recording

The FS7 supports 4-channel audio input. In application such as interview, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, by the use of an optional XLR adapter “XLR-K2M” or ”XLR-K1M” which provides additional 2 XLR inputs, possible applications are further expanded.

General  
Mass Approx 2.0 kg (body only)
Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card)
Dimensions (W x H x D) 1 156 x 239 x 247 mm (body without protrusions)
Power Requirements DC 12 V
Power Consumption Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature 0C to 40C
32F to 104F
Storage Temperature -20C to +60C
-4F to +140F
Battery Operating Time Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) XAVC-I mode: 4K 59.94P VBR, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 50P VBR, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 29.97P VBR, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 23.98P VBR, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode: 4K 25P VBR, bit rate 250Mbps, MPEG-4 H.264/AVC
Recording Format (Video) XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94i VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50i VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 29.97P VBR, maximum bit rate 111Mbps, MPEG-4
Recording Format (Video) XAVC-L QFHD 59.94P/50P mode: VBR, maximum bit rate 150Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 29.97P/23.98P/25P mode: VBR, maximum bit rate 100Mbps, MPEG-4 H.264/AVC
XAVC-L HD 50 mode: VBR, maximum bit rate 50Mbps, MPEG-4 H.264/AVC
XAVC-L HD 35 mode: VBR, maximum bit rate 35Mbps, MPEG-4 H.264/AVC
XAVC-L HD 25 mode: VBR, maximum bit rate 25Mbps, MPEG-4 H.264/AVC


MPEG HD422 mode: CBR, maximum bit rate 50Mbps, MPEG-2 422P@HL
Apple ProRes 422 HQ: VBR, maximum bit rate 220Mbps, 4:2:2 10 bit
ProRes 4222
Apple ProRes 422: VBR, maximum bit rate 147Mbps, 4:2:2 10 bit
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback ONLY 2channels)
Recording Frame Rate
XAVC-I QFHD mode:3840x2160/ 59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode:1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P


XAVC-L QFHD mode:3840x2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode:1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 35 mode:1920x1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 25 mode:1920x1080/59.94i, 50i


MPEG HD422 mode:1920x1080/59.94i, 50i, 29.97P, 23.98P, 25P1280x720/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time XAVC-I mode 4K/QFHD 59.94P
When using QD-G128A (128GB): Approx. 22 minutes,
When using QD-G64A (64GB): Approx. 11 minutes
XAVC-I mode 4K/QFHD 50P
When using QD-G128A (128GB): Approx. 26 minutes,
When using QD-G64A (64GB): Approx. 13 minutes
XAVC-I mode 4K/QFHD 29.97P
When using QD-G128A (128GB): Approx. 44 minutes,
When using QD-G64A (64GB): Approx. 22 minutes
PXW-FS7
Recording/Playback Time XAVC-I mode 4K/QFHD 23.98P
When using QD-G128A (128GB): Approx. 55 minutes,
When using QD-G64A (64GB): Approx. 27 minutes
XAVC-I mode 4K/QFHD 25P
When using QD-G128A (128GB): Approx. 52 minutes,
When using QD-G64A (64GB): Approx. 26 minutes
Recording/Playback Time
ProRes 422 HQ2
ProRes 422 HQ
59.94i/29.97P mode
When using QD-G128A (128GB): Approx. 60 minutes,
When using QD-G64A (64GB): Approx. 30 minutes
ProRes 422 HQ
50i/25P mode
When using QD-G128A (128GB): Approx. 72 minutes,
When using QD-G64A (64GB): Approx. 36 minutes
ProRes 422 HQ
23.98P mode
When using QD-G128A (128GB): Approx. 74 minutes
When using QD-G64A (64GB): Approx. 37 minutes
Recording/Playback Time ProRes 422 HQ2
ProRes 422
59.94i/29.97P mode
When using QD-G128A (128GB): Approx. 90 minutes
When using QD-G64A (64GB): Approx. 45 minutes
ProRes 422
50i/25P mode
When using QD-G128A (128GB): Approx. 108 minutes
When using QD-G64A (64GB): Approx. 54 minutes
ProRes 422
23.98P mode
When using QD-G128A (128GB): Approx. 112 minutes
When using QD-G64A (64GB): Approx. 56 minutes
Lens  
Filter Diameter 95 mm
Focal Length 28mm to 135mm
Focus Internal
Iris Nine blades (circular perture) F/4 to F/22 (click or click-less)
Lens Mount Sony E-Mount
Zoom Ratio 4.8x
Note SEL-28135G 28-135mm lens is supplied as standard with PXW-FS7K model. PXW-FS7 model is supplied without lens.
Camera Section  
Imaging Device (Type) Super35 type Single-chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Built-in Optical Filters Clear, 1/4ND, 1/16ND, 1/64ND
Sensitivity (2000 lx, 89.9 reflectance) Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity ISO 2000(S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 1/3 sec to 1/9,000 sec
Slow & Quick Motion Function XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P)
XAVC-L mode 3840x2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
White Balance Preset, Memory A, Memory B(1500K-50000K)/ATW
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve STD,HG,User,S-log3
Input/Output  
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
SDI Output BNC(x2), switchable with 3G-SDI/HD-SDI
SMTPE292M/424M/425M
USB USB device, mini-B (x1)
Headphone Output Stereo mini jack (x1) -16dBu 16O
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini-minijack (F2.5 mm)
HDMI Output Type A (x1)
Option 4-pin, Type A for W-LAN (x1)
Monitoring  
Built-in LCD Monitor 8.8cm (3.5 type) Approx. 1.56M dots
Built-in Microphone  
Built-in Microphone Omni-directional monoral electret condenser microphone.
Media  
Type XQD Card slot(x2)
SD Card slot(x1) for saving configuration data
Supplied Accessories  
Supplied Accessories Boyd Cap (1)
Viewfinder (1)
Eyepiece (1)
Grip Remote Control (1)
USB wireless LAN module IFU-WLM3 (1)
Wireless remote commander (1) (RMT-845)
WA Adaptor Bracket (1)
MPA-AC1 AC Adapter (1)
BC-U1 battery charger (1)
BP-U30 battery pack (1)
Power cord (2)
USB cable (1)
Operating Guide (2)
CD-ROM "Manuales for Solid-State Memory Camcorder" (1)
Notes  
1 The values for dimensions are approximate.
2 ProRes requires optional extension unit XDCA-FS7
 
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