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As the successor to Nikon’s acclaimed D4, everything about the D4S powers exceptional images at exceptional speed. An expanded ISO range and EXPEED 4 image processing take low light photography to another level, making the D4S a master of the dark as well as the light. Advances to AF performance offer improved acquisition and tracking at 11 fps, plus much finer control over the AF area with the new Group Area AF mode. Nikon’s RAW Size S file format accelerates image transfer onto networks and a Gigabit 100/1000TX Ethernet port enables ultra-fast connection.
Conns Cameras is a family-run business established by Phil Conn in 1968. Bob and Mike Conn together with an excellent team of knowledgeable and helpful staff can guide you through the maze of new technology.
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Based on the D4, the D4S responds more completely to the demands of professional photographers with revisions to a number of features and functions, including AF performance, image quality, workflow and operation, and movie recording, adopted after running a variety of simulations of the functions required by professional photographers who sometimes find themselves working under quite severe conditions.
16.2-MP FX-format sensor - The D4S’s revamped sensor offers the ultimate image quality. Boasts fast channel readout, wide dynamic range, and clean performance at high sensitivities.
Phenomenal ISO - Shoot crisper, cleaner, better-defined images at high ISOs. An expanded ISO range of 100–25600 is extendable up to an industry-leading 409600 (equivalent).
11 FPS with AF - The D4S offers improved acquisition and tracking performance. Fires at a blazing 11 fps in FX format with AE/AF superior to its predecessor (the D4).
EXPEED 4 - Boosts the camera’s overall performance to a whole new level. Vastly improves image rendering and ISO performance, and allows higher frame rates when shooting movies.
D-Movie evolves - Record Full HD (1080p) movies at 50p/60p. Access the ISO range from ISO 200 up while filming and control shutter speed, aperture, and audio levels, too.
Bettering the best - Nikon’s class-leading AF system has advanced to offer improved acquisition and phenomenally precise tracking of fast-moving subjects over long distances with the new Group Area AF mode.
Tough in the field - Protected by a tough, weather-sealed full metal body, the reliable and durable D4S sustains peak performance in the most demanding environmental conditions imaginable.
Fast track - Built for speed, the D4S implements Gigabit 100/1000TX Ethernet port and offers a new RAW Size S option for extended continuous raw shooting and accelerated image transfer, plus compatibility with Nikon’s fast WT5 Wireless Transmitter.
Multi-CAM 3500FX 51-point AF system: The D4S takes the class-leading accuracy of the D4 and advances it further. The system is configurable in 9-point, 21-point, and 51-point coverage settings and sensitive down to -2 EV (ISO 100, 20 °C/68 °F). Advancements include improved lock-on, expanded ‘store by orientation’, and options for AF mode restrictions.
Group Area AF: Track fast-moving subjects over long distances with phenomenal precision. Group Area AF mode constantly monitors five different AF fields, offering improved acquisition and background isolation when shooting subjects that are comparatively small and close to a high-contrast or distracting background. The five-point AF area can be shifted across the 51-point array as composition demands.
Colour adjustable monitor: Push the colour balance and brightness in any direction to suit your personal workflow preference. The anti-reflective 8.0 cm (3.2-in.), 921k-dot LCD monitor also offers auto brightness control.
Refined ergonomics: Nikon has honed subtle details that make all the difference to handling when shooting on assignment. Changes include improved button layout and re-shaped control buttons to improve operation in damp conditions, as well as re-contoured thumb and middle finger rests and a smoother grip.
Fast durable shutter: When milliseconds matter, the D4S’s 42 ms shutter lag can gain you the critical edge. The Kevlar/carbon fiber–composite shutter unit is tested to 400,000 releases and a shutter speed of 1/8000 to 30 s, with flash synchronization at up to 1/250 s.
Stable viewfinder shooting: A new shutter and mirror mechanism delivers a stable viewfinder image during high-speed shooting. Image shake caused by mirror movement is effectively reduced with minimal viewfinder blackout.
Multi-area D-Movie: For moviemaking in diverse conditions, D-Movie offers broadcast-quality video in multiple frame formats. The D4S records Full HD (1080p) movies in FX and DX formats at 50p/60p frame rates. It offers three sensor crop formats: FX, DX, and native crop (approximately 2.7x) as well as clean HDMI out.
Moviemaking freedom: Operational enhancements allow more control over footage while recording. You can set sensitivity and select maximum ISO in M mode, and select the sensor crop format, control power aperture, and fix shutter speed. Nikon’s 3D noise reduction reduces random noise, distortion, and noise flicker when filming at high sensitivities.
HDMI out: The D4S offers uncompressed full-resolution HDMI output to external devices. You can simultaneously record full resolution HD movies in-camera and with an external recorder via HDMI, and an HDMI cable clip is provided with the camera for a secure connection.
High-fidelity audio control: With more options for audio control, the D4S offers improved sound recording. A stereo microphone input and an audio out let you fine tune audio levels in isolation both before and during recording. You can select the sound range (wide/voice), and wind noise can be reduced when recording with the built-in microphone.
3D Colour Matrix Metering III: Offers stable exposure control through the 91k pixel AE sensor. With selectable full-time face recognition function and smoother exposure alteration for improved results when shooting stills, movies, and time-lapse photography.
Spot White Balance metering: Determine White Balance even under challenging mixed lighting conditions. Easily acquire manual, preset White Balance data based on the selected area within the frame: the size of the area acquired can be retained even when the image is enlarged, and consecutive data acquisition is possible.
Picture Controls: The colour rendering and tone curve have been refined for enhanced definition and additional depth in stills and movies. Picture Controls streamline in-camera image processing by enabling customisation of image parameters before capture, as well as complete control over sharpening, contrast, brightness, hue, and saturation in various colour modes.
High-capacity EN-EL18a battery: Ultra-compact and lightweight lithium-ion rechargeable battery with a capacity of 2500 mAh (10.8 V).
Storage media: Two card slots, one for high-speed CF (UDMA 7) cards, and one for high-speed, high-capacity XQD cards.
Nikon's flagship D4 camera, released in February 2012, expanded possibilities for photographic expression for professional photographers primarily in the fields of sports, press, and nature photography. The D4 offered a number of features that not only responded to the demands of professional photographers, but also enabled capture of images of decisive moments that moved those who saw the images. Among these were excellent performance over a broad range of sensitivities for superior image quality under difficult lighting conditions, fast and accurate AF capable of capturing the intended subject, the Advanced Scene Recognition System, which provided more advanced automatic control that allowed photographers to concentrate more fully on shooting itself, and support for the superior rendering characteristics of NIKKOR lenses developed with optical technologies only Nikon can offer. Moreover, the D4 also contributed to cultivating new possibilities for imaging expression with the ability to express shallow depths of field and maximize the characteristics of excellent performance at high sensitivities with movie recording.
Developed as the next-generation flagship successor to the D4, D4S functions, features, and performance were thoroughly examined and analyzed from a variety of angles, resulting in a digital SLR camera that responds more completely to the demands of professional photographers. With this background, the D4S was developed to embody Nikon's response to the demands of professional photographers, upon which we place great importance, with functions and performance that support shooting in even the most difficult environments, and are able to respond to a variety of subjects and situations, as well as various lighting conditions.
High-performance AF that more accurately acquires and tracks the intended subject, even under extreme conditions
Reflection of ideas from professional photographers and repeated simulation of various advanced techniques they often use has resulted in the very precise subject acquisition and tracking performance that these photographers require, and upon which they can rely, under the most extreme conditions. Very precise adjustment of AF algorithms based on the Advanced Multi-CAM 3500FX autofocus sensor module enables certain acquisition of even erratically moving subjects and those exhibiting little in the way of contrast. D4S autofocus performs even better, keeping the acquired subject in focus, even when it is coming closer, or moving away, at high speed. What's more, the D4S offers better balanced AF control with more precise focusing on the intended subject, and more accurate tracking of that subject, even when photographing team sports, such as soccer and rugby, when action may temporarily obstruct the intended subject.
5 AF-area modes for flexible focusing
In addition to the four time-tested modes built into the D4—Single-point AF, Dynamic-area AF (9-, 21-, 51-point), 3D-tracking, Auto-area AF—the D4S is equipped with a new Group-area AF AF-area mode for more powerful and versatile autofocusing. When Group-area AF is selected, the camera uses one focus point selected by the user and one each above, below, to the right, and to the left of the selected focus point, for a total of five focus points, for focusing. By capturing the subject within the five-point group, even if it is small and moving quickly and erratically as is often the case when photographing athletes and animals, the intended scene can be captured with greater certainty without focus shifting to the background.
In addition, an AF-area mode can be assigned to the AF activation button on super-telephoto NIKKOR lenses. When this is done, the specified AF-area mode is enabled while the AF activation button is held down. This enables strategic switching between the AF-area mode selected with the camera and a different AF-area mode assigned to the AF activation button, allowing users to switch back and forth between vital modes instantly, without ever taking their eye off the subject, when photographing a variety of scenes that change drastically. This allows users to better maximize AF performance between bursts of high-speed continuous shooting at approximately 11 fps* with AF and AE tracking.
Powerful AF with a variety of combinations of NIKKOR lenses and teleconverters
The D4S is equipped with 51 focus points capable of acquiring the intended subject throughout the frame. 15 cross-type focus points at the center of the frame use phase-detection AF to detect the subject horizontally and vertically, and as all 51 focus points support a maximum aperture of f/5.6, the performance of line sensors and cross-type sensors is fully utilized with all AF NIKKOR lenses. In addition, the 15 focus points (9 at the center of the frame, and three each to the left and right of these 9)*1 support maximum apertures faster than f/8, and 11 focus points (9 running horizontally at the center of the frame and 1 each above and below)*2 support maximum apertures of f/8. This results in stress-free focusing, even when using 1.4x or 1.7x teleconverters, and certain autofocusing capability when a 2.0x teleconverter is used with super-telephoto NIKKOR lenses for a combined maximum aperture of f/8.
Beautiful image quality straight out of the camera
Press photographers working on-site demand not only certain capture of decisive moments, but also the ability to quickly transmit their photos as soon as they are taken. Understanding this need, the D4S captures JPEG images with stunning sharpness, enhanced depth, and natural skin tones that allows use of these images straight out of the camera. Less noise with shooting at high sensitivities and a range of standard sensitivities from ISO 100 to ISO 25600 enables images exhibiting sharper edges and smoother, more beautiful colors throughout the entire range (sensitivity can also be reduced to the equivalent of ISO 50 (Lo 1), or increased up to the equivalent of ISO 409600 (Hi 4) as shooting conditions demand). Images captured with the D4S also exhibit little significant loss in resolution, even when cropped for use in newspapers, magazines, or online. An effective pixel count of 16.2-million pixels, and the new EXPEED 4 image-processing engine and Nikon FX-format CMOS sensor, both developed by Nikon with meticulous research and repeated simulations, contribute greatly to these capabilities.
Accurate white balance for healthy skin tones and textures
Auto white balance achieves healthier, more vivid skin tones under a variety of lighting conditions. Adoption of a new image analysis system enables more accurate extraction and identification of white portions within the frame. In addition, as white balance can be fine-tuned in smaller steps than ever before, more precise settings can be specified. The D4S is also equipped with a spot white balance option that allows users to manually measure white balance data beforehand from even a very small white or gray portion of the frame. When the D4S is unable to accurately or satisfactorily measure preset white balance data, simply changing the area from which data is measured as many times as needed eliminates the need for repeating the process from the beginning. This helps to increase shooting efficiency for professional photographers who must work quickly when on-site.
A high-performance viewfinder with greater visibility achieved with suppression of viewfinder image shake during continuous shooting
Improvements to components such as the mirror bouncer with the D4S suppress shake caused by mirror bound movement for more stable display of the viewfinder image. Viewfinder visibility with continuous shooting has also been improved with a shorter viewfinder blackout time and continuous display of the active focus point, even when the shutter is released.
RAW S Small* (12-bit uncompressed) image size option
A new RAW S Small option that records images using 1/4 the number of pixels used for full-sized RAW images has been added. This makes editing images on a computer after they have been taken faster and more convenient (file size is approximately 1/2 that of 12-bit uncompressed RAW L Large images).
The D4S is equipped with an Ethernet connector (compatible with the 1000BASE-T standard) that enables smooth transfer of high-quality image data, regardless of the format in which it was recorded (JPEG, NEF, TIFF), after capture.
LCD monitor with function for customizing colors
The D4S is equipped with a 3.2-inch, approximately 921k-dot wide viewing angle TFT LCD monitor with which the protective glass and LCD panel have been integrated to suppress internal reflections. Display characteristics have been carefully adjusted for more faithful color reproduction. In addition, the camera is equipped with a function that allows users to customize colors to suit their individual preferences.
A form and layout for operational controls that make the camera easier to hold and operate
The shape of the grip has been optimized to make holding the camera more comfortable, even for those with small hands. What's more, thorough examination of the shape of the rear of the camera, and design and materials used for the sub-selector have resulted in a camera that offers a better hold and more reliable operation.
Movies recorded at a frame rate of 60p exhibit smooth subject movement and changes in exposure, even when the brightness of the scene changes greatly. Noise is effectively suppressed throughout the full range of standard sensitivities (ISO 200-25600) for rich expression of tones and stunning sharpness that preserves details. The D4S offers selection from three image area* options that respond to imaging intent—FX-based movie format, DX-based movie format, and 1920 x 1080 crop. With recording at a setting of 1920 x 1080 crop, 1920 x 1080p full-HD movies are generated without resizing for stunningly sharp movies rich in detail.
In addition, uncompressed movies can be recorded directly to an external HDMI device connected to the camera's HDMI connector in movie live view mode. A dedicated HDMI cable clip is supplied with the D4S. When used with the optional HC-E1 HDMI cable, this clip prevents accidental disconnection of the HDMI cable from the camera. In addition, movie recording with the D4S is even more convenient as movies can be recorded to an external HDMI device and a memory card inserted in the camera at the same time.
The D4S responds to demands for movie recording with a variety of other capabilities as well, including the ability to change the image area in movie live view, and to enable Auto ISO Control for automatic adjustment of ISO sensitivity at a fixed shutter speed and aperture value.
The D4S also offers a new exposure smoothing function for time-lapse movie recording. This function smooths exposure between frames for less flicker in resulting movies.
|Type||Single-lens reflex digital camera|
|Lens mount||Nikon F mount|
|Effective pixels||16.2 million|
|Image sensor||36.0 mm x 23.9 mm CMOS (FX format)|
|Total pixels||16.6 million (approx.)|
|Dust-reduction system||Image sensor cleaning, Image Dust Off reference data (optional Capture NX 2 software required)|
|Image size (pixels)||(L) 4928 x 3280, (M) 3696 x 2456, (S) 2464 x 1640, DX, (L) 3200 x 2128, (M) 2400 x 1592, (S) 1600 x 1064, 5 : 4, (L) 4096 x 3280, (M) 3072 x 2456, (S) 2048 x 1640, 1.2x, (L) 4096 x 2720, (M) 3072 x 2040, (S) 2048 x 1360|
|Storage - File format||NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed; small size available (12-bit uncompressed only), TIFF (RGB), JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available, NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats|
|Picture Control System||Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, ;selected Picture Control can be modified; storage for custom Picture Controls|
|Storage Media||CompactFlash (CF) (Type I, compliant with UDMA 7), XQD Type Memory|
|Dual card slot||Dual card slots|
|File system||DCF 2.0, DPOF, Exif 2.3, PictBridge|
|Viewfinder||Eye-level pentaprism single-lens reflex viewfinder|
|Frame coverage||FX (36X24): Approx. 100 horizontal and 100 vertical, 1.2X (30X20): Approx. 97 horizontal and 97 vertical, DX (24X16): Approx. 97 horizontal and 97 vertical, 5:4 (30X24): Approx. 97 horizontal and 100 vertical|
|Magnification||Approx.0.70x, (50 mm f/1.4 lens at infinity, -1.0 m-1)|
|Eyepoint||18 mm, (1.0 m1; from center surface of viewfinder eyepiece lens)|
|Diopter adjustment||-3 to +1 m|
|Focusing screen||Type B BriteView Clear Matte Mark VIII screen with AF area brackets (framing grid can be displayed)|
|Depth-of-field preview||Yes, Pressing Pv button stops lens aperture down to value selected by user (A an d M modes) or by camera (P and S modes)|
|Lens aperture||Instant return, electronically controlled|
|Compatible lenses||AF NIKKOR lenses, including type G, E, and D lenses (some restrictions apply to PC lenses) and DX lenses (using DX 24 X 16 1.5X image area), AI-P NIKK OR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used.|
|Shutter type||Electronically-controlled vertical-travel focal-plane shutter|
|Shutter speed||1/8,000 to 30 s. in steps of 1/3, 1/2 or 1 EV, bulb, time, X250|
|Flash sync speed||X1/250sec., synchronizes with shutter at 1/250 s or slower|
|Release modes||S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), Self-timer, MUP (mirror up)|
|Frame advance rate||Up to 10 fps (CL) or 1011 fps (CH)|
|Self-timer||2 s, 5 s, 10 s, 20 s; 19 exposures at intervals of 0.5, 1, 2, or 3 s|
|Exposure Metering||TTL exposure metering using RGB sensor with approximately 91K (91,000) pixels|
|Metering method||Matrix: 3D color matrix metering III (type G, E, and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data. Center-weighted: Weight of 75 given to 12 mm circle in center of frame. Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle). Spot: Meters 4 mm circle (about 1.5 of frame) centered on selected focus point (on center focus point when non-CPU lens is used)|
|Range (ISO 100, f/1.4 lens, 20 C/68 F)||Matrix or center-weighted metering: 1 to 20 EV - Spot metering: 220 EV|
|Exposure meter coupling||CPU, AI|
|Mode||Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)|
|Exposure compensation||5 to +5 EV in steps of 1/3, 1/2, or 1 EV|
|Exposure bracketing||2 to 9 frames in steps of 1/3, 1/2, 2/3, or 1 EV (2 to 5 frames in steps of 2 or 3 EV)|
|ISO sensitivity (Recommended Exposure Index)||100 to 25600 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3, or 4 EV (ISO 409600 equivalent) above ISO 25600; auto ISO sensitivity control available|
|Active D-Lighting||Can be selected from Auto, Extra high +2/+1, High, Normal, Low, or Off|
|ADL bracketing||2 frames using selected value for one frame or 35 frames using preset values for all frames|
|Autofocus||Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phas e detection, fine-tuning, and 51 focus points (including 15 cross-type senso rs; f/8 supported by 11 sensors)|
|Detection range||2 +19 EV (ISO 100, 20 C/68 F)|
|Lens servo||Autofocus (AF), Single-servo AF (AF-S), Continuous-servo AF (AF-C), Manual focus (MF)|
|Focus point||Can be selected from 51 or 11 focus points|
|AF-area mode||Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, group area AF, auto-area AF|
|Focus lock||Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing the center of the sub-selector|
|Flash control||TTL: i-TTL flash control using RGB sensor with approximately 91K (91,000) pixels is available with SB-910, SB-900, SB-800, SB-700, SB-600, SB-400, or SB-300; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighting metering, standard i-TTL flash for digital SLR with spot metering|
|Flash mode||Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rearcurtain sync, off, Auto FP High-Speed Sync supported|
|Flash compensation||-3 to +1 EV in increments of 1/3, 1/2 or 1 EV|
|Flash bracketing||2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV, 2 to 5 frames in steps of 2 or 3 EV|
|Flash-ready indicator||Lights when optional flash unit is fully charged; flashes after flash is fired at full output|
|Accessory shoe||ISO 518 hot-shoe with sync and data contacts and safety lock|
|Nikon Creative Lighting System (CLS)||Advanced Wireless Lighting supported with SB-910, SB-900, SB-800, or SB-700 as a master flash, and SB-600 or SB-R200 as remotes, or SU-800 as commander; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400 and SB-300; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units|
|Sync terminal||ISO 519 sync terminal with locking thread|
|White balance||Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, clo udy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose color temperature (2500 K 10000 K), all with fine-tuning.|
|ADL bracketing||2 to 9 exposures in increments of 1, 2 or 3 EV|
|Live View - Modes||Live View Photography, Movie Live View Mode|
|Live view - Lens servo||- Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) - Manual focus (M)|
|Live view - AF-area mode||Face-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF|
|Live view - Autofocus||Contrast-detect AF anywhere in frame (camera selects focus point automat ically when face-priority AF or subject-tracking AF is selected)|
|Movie - Metering||TTL exposure metering using main image sensor|
|Movie - Frame size (pixels) and frame rate||- 1920 x 1080; 60 p (progressive), 50 p, 30 p, 25 p, 24 p - 1920 x 1080 crop; 30 p, 25 p, 24 p - 1280 x 720; 60 p, 50 p - 640 x 424; 30 p, 25 p Actual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; all options support both high and normal image quality|
|Movie - File format||MOV|
|Movie - Video compression||H.264/MPEG-4 Advanced Video Coding|
|Movie - Audio recording format||Linear PCM|
|Movie - Audio recording device||Built-in monaural or external stereo microphone; sensitivity adjustable|
|Movie - ISO sensitivity||In exposure modes P, S, and A, auto ISO sensitivity control (ISO 200 to Hi 4) with selectable upper limit. In exposure mode M, auto ISO sensitivity control (ISO 200 to Hi 4) available with selectable upper limit; manual selection (ISO 200 to 25600 in steps of 1/3, 1/2, or 1 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, 2, 3, or 4 EV (ISO 409600 equivalent) above ISO 25600.|
|Other options||Index marking, time-lapse photography|
|Monitor||8-cm (3.2-in.) diagonal. 921k-Dots. TFT LCD with 170 viewing angle, approximately 100 frame coverage, manual monitor brightness control, and automatic monitor brightness control usi ng ambient brightness sensor|
|Playback||Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, location data display, auto image rotation, voice memo input and playback, and IPTC information embedding and display|
|HDMI output||Type C mini-pin HDMI connector|
|Audio input||Stereo mini-pin jack (3.5-mm diameter; plug-in power supported)|
|Audio output||Stereo mini-pin jack (3.5-mm diameter)|
|Accessory terminal (s)||Can be used to connect optional remote control, optional WR-R10 (requires WR-A10 adapter) or WR-1 wireless remote controller, GP-1/GP-1A GPS unit, or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector)|
|Ethernet||RJ-45 connector. Standards: IEEE 802.3ab (1000BASE-T)/IEEE 802.3u (100BASE-TX)/IEEE 802.3 (10BASE-T). Data rates: 10/100/1000 Mbps with auto detect (maximum logical data rates according to IEEE standard; actual rates may differ). Port: 1000BASE-T/100BASE-TX/10BASE-T (AUTO-MDIX)|
|Peripheral connector||For WT-5|
|Supported languages||Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian|
|Battery||One rechargeable Li-ion EN-EL18a battery|
|AC adapter||EH-6b AC adapter; requires EP-6 power connector (available separately)|
|Tripod socket||1/4 in. (ISO 1222)|
|Dimensions (WxHxD)||Approx. 160 x 156.5 x 90.5 mm ( 6.3 x 6.2 x 3.6 in.)|
|Weight||Approx. 1350 g (2 lb. 15.6 oz.) with battery and XQD memory card but without body cap and accessory shoe cover; approx. 1180 g / 2 lb. 9.6 oz. (camera body only)|
|Operating environment - Temperature||0 C40 C (+32 F104 F)|
|Operating environment - Humidity||85 or less (no condensation)|
|Supplied accessories||BF-1B body cap, BS-2 accessory shoe cover, EN-EL18a rechargeable Li-ion battery with terminal cover, MH-26a battery charger with power cable and two contact protectors (shape of power cable depends on country of sale), USB cable clip, HDMI cable clip, UF-2 connector cover for stereo mini plug cable, UC-E15 USB cable, ViewNX 2 installer CD, AN-DC11 strap|
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